Three days before the most anticipated match in its history, PSG seems to slide towards Munich with almost confusing tranquility. This Wednesday morning, on the lawns of the Poissy campus, the Parisian stars continued their preparation without a hitch. No last minute package to deplore, no disturbing injury or visible tension: the atmosphere is studious, almost relaxed. What to surprise when approaching a Champions League final which could redefine the history of the club.
Among the elements observed, the active participation of KHVICHA KVAratskhelia reassured the supporters. Touched by migraines during the French Cup final, the Georgian normally trained, sweeping the doubts about his availability. But according to several observers present, it is a tactical detail seen during the playing phases which caught the attention: Luis Enrique seems to refine an eleven without number 9 of trade. Ousmane Dembélé could again evolve in the axis, as in previous rounds … A risky option in front of a defense like that of Inter.
PSG-inter: Luis Enrique's eleven already unveiled in Poissy?
The program remains millimeter. A last training in Poissy is scheduled for Thursday at 11 a.m. Thursday. Then, as early as Friday morning, the Parisian delegation will fly to Munich, direction the Infinity Hotel & Conference Resort, located north of the city. An unprecedented place for Parisians, who had stayed elsewhere during their last coming to Bavaria. This choice, undoubtedly deliberate, aims to break the memory of the defeat against Bayern.
PSG-inter: a deceptive calm before the storm?
Friday evening at 7 p.m., PSG will finally crowd the lawn of the Allianz Arena for its final session. Open to the public and the media as required by the UEFA protocol, it should offer a final overview of the probable eleven … Unless Luis Enrique blurs the tracks once again.
Anyway, Paris is about to challenge her destiny. With a complete group, a staff with confidence and an attractive dynamic, all the lights are green. But behind the scenes, some fear that this overflow of serenity hides deaf pressure. What if this final, so dreamy, was also played in the unsaid of preparation?
